Dustin Hoffman and Leo Woodall Headline the Year's Most Unique Thriller | Review

Dustin Hoffman and Leo Woodall Headline the Year's Most Unique Thriller | Review




Sound has always been the understated genius of cinema. The audience may not always notice it, but sound is crucial in shaping the way we feel about a movie. The crackle of a gunshot in a classic war movie, the sharp intake of breath in a horror, or an ominous knock on the door in a thriller, can all be as effective as any line of dialogue or special effect. Some movies weaponize sound, such as A Quiet Place or Don't Breathe, but in the new crime thriller Tuner, it almost resembles a superpower.


Sound has always been the understated genius of cinema. The audience may not always notice it, but sound is crucial in shaping the way we feel about a movie. The crackle of a gunshot in a classic war movie, the sharp intake of breath in a horror, or an ominous knock on the door in a thriller, can all be as effective as any line of dialogue or special effect. Some movies weaponize sound, such as A Quiet Place or Don't Breathe, but in the new crime thriller Tuner, it almost resembles a superpower.

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